ear-catchy techhouse stuff, track 2 well known dixie music

7 oz is back with a long awaited various artists ep that follows the success of mathias mestenos alcatraz. two dancefloor-oriented tracks, that sound really hot despite the cold winter, ideal for any passage of your sets. barila&lodettis el jazz del barrio takes us back to the truest deep house sound, with a jazzy mood and an ear set clearly back to the old school. the young and talented fabio even, thanks to the remix made by manu-l and paul cart, goes techno with the sharp and piercing rhythms and sounds of the explosive track undershow.

nice price deal !!! as 2010 draws to a close, low res records makes one last shot at the buzzer with a veritable milestone of mayhem - the 23rd enigma in the shape of a new and long overdue dj adjust record. >release the sharks< is four tracks of abusive speaker therapy constructed in the spirit of recreational headbanging most would call haptic technology for heshers. possessing the demonstrative power of potential that pokes at the ear pupils, the new adjust record is a leaning tower of rhythmic inconsequentials that cast a dark shadow over the deliberate composition of controlled chaos.

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

fenster auf: der schwede f?llt die l?cke zwischen kings of convenience und bon iver.
inklusive coupon f?r freien download des albums als mp3.

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

yore welcomes ibex to the yore family. tony ollivierra aka ibex, who is no stranger at all to the world of detroit house music, known for his outstanding releases on carl craigs >planet e< or his hot gems on 3rd ear and rushhour, returns in full effect on our 26th release. here he brings us four tracks, so deep (and yet grooving without a doubt), unique and full of class, that it still leaves us simply speechless. the music on this ep is so rich and full of musical ideaÆs, like we havent heard it since a very long time. one can tell you need history and expertise behind to drop something like this and ibex sure has what it takes. hes been releasing high quality house music since early 2000 and has been touring as a dj since the mid nineties, which all you can sense in his music. this is one of our personal favourite releases so far and we can only strongly recommend to get your copy while they last. killer ep not to be missed and already a classic today!

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

our search for real club music gems has led us to hamburg, where a young man and his nord modular has been attracting our attention for quite a while now: benjamin brunn.
at least since his workshop005 release, he has modulated his way straight in our hearts. unlike other artists, he knows how to let his synthesizers speak and tells us little stories, while always searching for new romanticfrequency ranges. so >my heart< tells us a story, from the in-ear adapter straight into the heart.

repress, including download coupon!
lover. fighter. prophet. freak magnet. time-traveler. musician, photographer and designer jimmy edgar is a wayward prodigy streaking across the cosmic dance-floor. in 2001 at the tender of 18, his hyper-sexed microchip stylings caught the ear of warp, where he cranked out his brand of amped-up laptop funk for the next eight years, culminating in the full-length classic >color strip< (2006). now 26, edgar is shaking things up at !k7. on new turf, edgars sonic prowess takes on a leaner, more radio-ready shine and what edgar does essentially and very well is make your body move.

the blanche hudson weekend is here. featuring caroline and darren (ex-manhattan love suicides) along with a bunch of other weekenders, and bringing to you all kinds of noise, fuzz, melody, dissonance, rawness, killer tunes and buzzsaw pop. take a bit of 1960s girl group sounds, mix with girls in the garage type ramshackle production, add some gun slugging guitars and sugar sweet vocals with a keen ear for a great hook, then lock the doors, bolt the windows, switch off the phone, kill the lights, turn up the volume to ear splitting levels and enjoy the blanche hudson weekend.

are you feeling energetic? actually, dont even bother answering. because after hearing robert dietz >soup opera< youll have stamina for days. its a charging, standup bass burner that puts house sounds to techno purposes, its a wolf in sheeps clothing, a rainstorm at the open-air-a monster, simply put, that leaves you drenched and grinning from ear to ear!

italian based eclipsemusics fourth outing comes with a serious release courtesy of passenger, talented artist whose productions can be heard on night drive music, paul macs sula muse, logos recordings and echoplexs soleil. this new 12 inch confirms his interest in the deepest and more underground side of detroit techno. >black varian< was the highlight of his digital-only release on radiance records back in 2008. eclipsemusics label manager instantly fell in love with it, and now, improved and remastered by aaron-carl (wallshaker, detroit), black varian finally lands on vinyl. with its evolving and ear-catching sweet strings, its delayed cascades of cymbals and pianos, swinging synth lines and subtle bassline, this is already a little new classic for the label, crossing the borders between detroit techno and deep, groovy house. the release is completed by two strong remixes: paul mac strips down the original and builds a dancefloor number keeping a few catching elements for massive impact. just out on connaisseur with her new album, estroe takes the track on an emotional ride creating new harmonic vibes while keeping the deepness intact.

james holden may not be a household name, but to fans of adventurous, progressive electronic sounds, the british techno sorcerer and psychedelic shaman is renowned as a genius. so revered are his talents that he has been tapped to remix some of pop music most eminent stars, including madonna, depeche mode, & britney spears, though as this mix demonstrates, his tastes tend more to the cerebral than those associations suggest. head of the zeitgeist-defining label border community which boasts fellow forward thinkers nathan fake & extrawelt on its roster, holden can count himself amongst that very modern breed of dj with a special knack for layering the most surprising of records with an unparalleled musical ear. his status as a free-spirit unconstrained by genre or scene is now championed by independent stalwart !k7, who have called up holden to deliver the next installment in their definitive mix series dj-kicks. holdens masterfully eclectic mix includes the first solo holden single in four years >triangle folds<, and his exclusive previously unreleased remix of mogwais >the sun smells too loud<.

driven by many musical styles both, herbst & blecha spend hours sitting in their small, freezing basement studio, twiddling knobs, djing on weekends and drinking loads of sweet, cheap and sticky orange lemonade. now the work of these two talented producers is rewarded with their first common release. jove is a melodic tech-house piece containing one of those catchy bass lines that will still be sticking in your ear long after the track has finished. well fitting to summer the track ôshilpaö takes you on a smooth trip and will form the perfect transition from your club night experience to watching the sunrise afterwards. the zoo brazil rmx of ôjoveö is a crisp piece that shall evoke your best summer nights you have spent this season. each time the kick drum lets go of your body in a break, you will just get carried away, throw your hands in the air and then fall back into the beat and just smile!

von spar is an artist collective from germany consisting of sebastian blume, jan philipp janzen, phillip tielsch and christopher marquez. the cologne-berlin quartet serves up a veritable ear-worm as an amuse bouche prior to their third album >foreigner<, which will be released at the end of may 2010 on italic recordings. the four deliver a rousing anthem enriched with a krauty disco groove and soulful close-harmony vocals for all of those late-night culture-vultures, oddballs and mother-in-laws nightmares propping up the bars at the discotheques of this world.

deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.

boy we couldnt resist hooking up with one of the youngest and brightest proteges in the west-coast undergound to slap out some crazy remixes of the bsu ep for yall. who is he? why, a made up sound ofcourse, or 2562 for short. steamrolling his way onto the scene in 2007, 2562 has been a mainstay from the get go, with amazing production skills and a keen ear for what rocks the house. in a very short time the 2562 name became almost synonimous for dubstep. but luckily for us theres the made up sound guise to provide us with a more mutant hybrid of slamming jak-step (and remember where you read that first). so take your pick, heres one for the heads and one for the bodies.

secouer is a record label with an international distributor, and born like the home of the orchestral with old groove and house secouer records born in 2009 behind the research work of the most diverse currents of music. the need to explore this genre arises from the idea to give a dress at the electronic scene. jazz becomes the means for a reconfirmation of the world of house most virtuous, not forgetting to accommodate the new sounds of the international scene. so the founders decide to explore this genre that combines dance with a fine ear for good sound not generalizable. only the bpm jazz or funky or orchestral can make the difference, which can give to house a dynamic and more human

matt flores recent/upcoming releases on labels like compost black, combination, third ear and of course farside put him in the focus of the worldwide house circle. actually >tempted< was produced by matt with the concept of an album in mind. even more glad that he has been assured by the idea that the track has to be out on 12inch vinyl. heartfelt, kickin and deep, >tempted< might be one of the greatest tunes that ever saw the light out of matt flores metaworld universe. get caught by the beautiful harmonies and the demanding groove

following their very well received >at the joint< ep on rezonant music, the serbian production outfit nemecek & tomic unleash another wonderful collection of tracks for the launch of this brand new label.
a: in deep bluesetting the tone for the ep, raw, infectious beats unwind against a smokey, textural backdrop. funky, alive and certainly full of ideas, the swinging groove bomb expands and contracts over 8 minutes of blissful modern house. ruff chord dives and ear massaging question-answer hooks lead the way for funked-out guitar riffs and more!

german doomcore artist moleculez delivers his second release on the mighty symp.tom imprint! very raw stuff on this new release, including new and pounding collaborations with mental wreckage and the relic. with 5 dark and twisted tracks full of ear piercing sounds and massive layers of distortion moleculez unleashes a very diverse and high quality 12. another fine addition to the symp.tom catalogue.

hyperdub has long been a fan of grime don terror danjahs razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles, gremlin cackle signature and general ear for a catchy tune. on this first ep for the label, he showcase two strains of his many skills. acid cranks up the energy, with an ascending synth crashing into stuttering drums and synths. they play hide and seek with each other for a bit, before the track unexpectedly breaks into a 4 / 4 house rhythm, and then shatters into pieces again. on the flipside, pro plus, terror is joined by long time collaborator d.o.k for a slice of their classic sound - an infectious, twisted sickly sweet synth melody wrapped around syncopated, stop start drums to mean effect.

sistrum steps into 2010 in proper fashion, as patrice scott brings forth his latest sonic artwork in the form of the distance against time ep. picking up where his acclaimed excursions ep (sis010) left off, the three cuts featured here forge ahead into the depths, rewarding those with a conscious ear for quality electronic sounds. check!

we are delighted to welcome the mighty russ gabriel to ever expanding dieb family and have him contribute this excellent 3 track ep to our catalogue. fans of russ sound as well as the uninitiated will not be disappointed here as there is a very wide stylistic audio palette on display here-yet still retaining russ quintessential production aesthetic and quality.
ranging from the epic, old school >returning home< with its haunting pad and melodious bass arpeggios to the stripped back chugging tech house workout of >push it along< and the futuristic, techno-infused >narita express< with its modulating stabs and catchy, repetitive bassline it is easy to see why russ is and has always been considered a unique and exciting music visionary equally capable of creating harmonic, atmospheric soundscapes or high energy, functional beats aimed squarely at the dancefloor.
whatever your preference, this package is sure to satisfy even the most discerning ear or demanding club crowd! enjoy!

amazing release from hans bouffmyhre (sleaze/viva music/perc trax/soma) and a fantastic remix by click box (m_nus).
release supported by adam beyer, paco osuna, anderson noise, chloe ...
vinyl only release!

vinyl only release (white coloured copies exclusivly available at decks.de), already supported by adam beyer, paco osuna, anderson noise, chloe... amazing release from hans bouffmyhre (sleaze / viva music/ perc trax/ soma) + fantastic remix from click box (m-nus)

session victim - berlin/hamburg based duo of hauke freer and matthias reiling - return with the next installment in real soons occasional limited edition series. the late runner ep follows two well received real soon releases - session victims no friends ep (2008) and hauke freers my beat 12inch (2007). the four tracks here continue session victims exploration into their distinctive brand of low key tech/house minimalism - their productions combine a confident timeless simplicity with a subtle attention to detail & texture and a clever ear for melody. as well as real soon, session victim have previous releases on hairy claw and their own recently launched label retreat.

supported by kollektiv turmstrasse, kombinat1000, someone else!! matching the cold season in northern europe, acker records extends its collection with a beautiful just as functional ear warmer. designed by the gents carsten rausch and ferdinand laurin from the city of trier, this acoustic accessory convinces in even four aspects. on the one side, the warm sounds of shout can be found, a really inspiring track that develops certain trancy qualities with its throughout melodic character and some pretty trippy delay experiments. after that, the pleasant boost is taken up by quattrow, here the anyway outrageous groove of the lower frequency spectrum is raised to the stakes by a casual and housey motive. this track is redesigned by the dudes of rundfunk3000 on the other side, they serve it on crunchy and highly energetic rhythms and spice it up with their typical, playful instrumental entries. finally, the tribe is also pretty much straight forward and again scores with warm feel-good sound that dives into intoxicating depths.

fresh outa detroit comes the first release on beretta music sub label beretta red. a four track compilation featuring respected artists arthur oskan, third ear and kanzleramts dennis desantis, and label head honcho brian kage. bear trax ep vol 1 is a collection of luscious detroit inspired techno jams aimed firmly at the dancefloor. strictly limited to 200 copies, and if thats not enough comes on appropriately enough tasty red vinyl. it also comes with a code to download all tracks free in digital format... which we presume must be for the girlfriends ipod.

rippertons perspectiv label with its 2nd split release giving new talents a stage. 1st split is a huge release with two sublime tracks by agnes and johnny white. not sure if this one tops it... but crowdpleaser and entlet deliver both two tracks that stand out of the pack!!. especially the b2 track by entlet needs some extra attention... a contemporary house track that has so much hidden power. phat old school bassline kills it everywhere.. and then the tracks continues to build and build.... like a modern dj pierre wildpitch affair! crowdpleaser delivers two solid tracks that went straight into the dj sets of many influential djs. highly effective and useful house tools (a description that actually doesnt do justice to these tracks which are much more then just tools!) ripperton proofs once again to have a great ear for new talents!!

after a split 12’’ and two eps from its founders, your favourite vinyl-only label welcomes an exciting new artist for its fourth release. hailing from berlin, hunee is a true music lover, a passionate dj and an amazing producer (not to mention a top notch friend). his recent productions on feel music, w.t. records and drumpoet community have caught the ear of many key players and made him one to watch in 2010. needless to say, hunee takes it to a whole other level with his barrio payment trilogy: from soulful house to slow-mo disco via afrobeat, the producer holds nothing back and that’s exactly how we like it at retreat hq. starting off with swinging hi-hats and a wah-wah loop, foundation builds excitement before a killer organ riff and bouncy bassline manage to bring the last non-dancers on the floor. ..

for the 5th installment of adultnappers illustrious ransom note, we welcome into the fray paul kominek, otherwise known as pawel (dial/orphan ear) with two sublimely beautiful compositions of modern electronic music. there is not many words to describe the feeling of these pieces. they run deep into the soul of house and techno. moving, yet intelligent, pawels plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. with powerful peak time remixes by new yorks alexi delano and brendon moeller, ransom note part five should make some noise in the coming months. from the desk of adultnapper, as inspired by lines and curves… as you well know, parallel paths are foreordained entities of diversity. as they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. one trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. lines become curves and act as waking agents for the soul as it approaches its limit. sometimes this process is disrupted, as is the case this time. i have lost something on the way and i seem to be stuck in the place where i lost it. i feel anchored here and need to find a way to move again. there is not much time.

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

autodiscotheque return with a mighty release by one of their favourite maverick producers and djs danny berman. with releases on tirk, untracked, deep freeze and society, danny has made a big impression with his mixed up approach to production and djing. from the wonky house of the hot coins material released on tirk, to the more classically detroit outings under his red rackem moniker, danny is a music lover with an ear for the not so obvious and the left of centre musical territory.on this release which features both his musical personas simultaneously, the idea was to truly represent the difference between the red rackem and hot coins sounds on a single release, and to recreate an intense peak time feeling, but to do it from these two completely different scenes.place for me is detroit inspired heads down, cut up motown soul business, which pays homage to one of dannys favourite producers moodymann, and fits perfectly into that crossover space between slo-mo house and disco. chinese electro on the flip however, references that authentic early 80s new wave electro sound, and is influenced by yellow magic orchestra and recordings from new wave radio shows like belgiums liaison dangereuses

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

excentric off-shoot rekluse has had a great start so far with carl cox, hell, slam, laurent garnier, james lavelle, technasia, stacey pullen andanderson noise all regularly supporting the label. the previous 4 releases have shown the labels sound to be developing rather nicely with a consistent ear for high production quality alongside a drive for exciting and unconventional electronic music for the dancefloor.the 5th release for the label is supplied by loco & jam, 2 guys who have been really making a name for hemselves in 2009, already with a release on >italo business< under their belts and their remix of henry von s propaganda that has made it s way onto carl coxs >space 2009< compilation. with forthcoming releases penned for >hedgehog< and for umeks >sixteenofive< imprint these guys from limavady, northern ireland are definitely ones to watch out for. >medusa< has been fergie & mr henry von s secret weapon since they first got hold of it, never failing to completely destroy any club that has had it pumped through its soundsystem, as well as support from king unique & the japanese popstars who have been behind it since day one. the a sideis backed with 2 seriously strong cuts that show l&js ability in the studio to take things up a notch (whats the matter) or to twist things up somewhat(virus).

sven tasnadi is a producer who, with every release, audibly and gracefully takes his style down the many different avenues of house and techno cityà his latest, brave work for poker flat then could perhaps be described as a midnight drive down main street, tempted by and lingering at some of the darker side streets, yet journeying on regardlessà.! its a fantastic ride from tasnadi, that sees two versions of the title cut plus a perfect b side track included for good measure. >habanero< is a tough, tracky concoction of thick bass led percussion, warbling, building sci-fi synths and classy hi-end hats. the unmistakable groove begins low and simply builds upwards, creating a 10 minute cabride through ultra-modern tech house, cuba style! we wont spoil the fun with the tingling breakdowns key momentà but theres also a (without trumpet) version on the b1à.! carrying on the chunky, dramatic vibes, >piri piri< dubs things out as a blissful and unique synth line carries this beautiful journey track along its honest and respectful path. a wonderfully resolute deeper moment from tasnadi, the phasing vocal stutters and pads play together with the central in delightful harmony, reminding us of the producers ear for touching and timeless arrangements

sam ball returns with the tenth release on his ever-successful i-fi music with 2 slices of tech house and techno to suit the heads. with consistent support from carl cox, laurent garnier, joris voorn, john digweed, nic fanciulli and paul woolford, sam has proved consistency and an ear to make the dance floor quake. this next instalment compliments the floor with kamikaze aimed directly for the big rooms and floors, a definitive peak record with a building loop reaching a devastating crescendo. the flipside mad dash is a much more tech house affair which grooves from start to finish and is a definite outdoor summer record. both are destined to move all floors nodding heavily at the underground, and as sam has proved as an accomplished producer and dj that there is defiantly groove left in the music.

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

rene breitbarth mit seinem debut auf irr welches zwei vielschichtige, atmosphärische house tracks beinhaltet. da möchte man mit >in ear monitor< verstöpselt und fluppe im mund (nichtraucher bitte vorstellungskraft benutzen!) durch die sonne von san francisco schlendern

we like to introduce the first impact by tickles on ipoly. with >freirausch< he delivers a real mad-goer. marching machine sound for nothing but the peaktime. its followed by some very unique remixes by the ipoly heads. alec troniq transformed >neuralverschiebung< into a crazy and overdriven jumpin tune. the mentalic remix of >fallout< is a dark, straight ear-cleaning technomonster. enjoy while you can!

nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

after the superb best of chaz jankel on their sister label tirk last year, nang are grinning ear to ear for the second release with some top flight remixes featuring big names all the way. first up is rekids regular toby tobias and the slick discoid grooving interpretation of call me. fresh from the success of their final electric chair comp the unabombers weigh in with their bouncy walking bass take on one of 2007s top disco tunes get myself together. to round things off a 3rd big name diesel from xpress 2 chills things out and delivers his stripped down after hours version. nang is out of the gates and running folks.

kyle hall graces us with another jazzy off kilter ear catching release, except this time hes not alone. kyle and four other young midwest musicians come together as bsmnt city anymle kontrol for the title track the perfekt sin, a real soul hitter. one of them is dorian fiddler son of heavy weight detroit producer amp fiddler, letting loose on live drums at age 17. love kontrol is an emotion steering eccentric groover thats sure to excite the senses with its elegant uplifting melodies. oatn out is a rhythm challenging avant garde dusty retarded joint that is a must listen to for the people who enjoy breaking the tempo and arent afraid to throw your average 4 on floor pocket out the window.